Thursday, January 8, 2015

Diversity in Comics: Friday on Sunday


Jim Lawrence anJorge Longarón's Friday Foster newspaper strip ran for about four years and featured the exploits of the vivacious photographer, whose life was a constant stream of drama and events. Friday Foster was the first syndicated strip to feature an African American female lead character, although Black female leads did exist decades before in the form of, for example, Torchy Brown in Heartbeats by Jackie Ormes, which was printed in the Pittsburgh Courier. But Friday Foster represents a real leap forward on the road towards an accurate depiction of diversity in American comics, besides being a quality strip with fabulous artwork.

The Friday Foster stories included a romantic component, and the strip could be argued to belong to the romance genre as much as any other. The above example is from the Chicago Tribune in the strip's first year - the date is 11/29/1970. Friday gets out of Harlem and ends up being something of a globetrotter, and her adventures are not restricted to being a photographer. She gets involved in all kinds of goings on. Here's a couple of consecutive Sunday strips from 1971 (3/14 and 3/21) in which Friday is unknowingly getting herself enmeshed with members of the criminal underworld:



I wish I had the next few weeks' worth of strips so I could find out what happened!

In these next excerpts, from 1972, Friday encounters a big shot Broadway actor, Dirk Maroon, while on a fashion shoot in the Caribbean (07/30):


By the following Sunday, Friday is resisting Dirk's charms, even though those around her seem to think he's a great guy:


But... poor Friday! By the end of the month she's caved in to the pressure, and allowed herself to fall for the player's charms, only to have her heart broken:


The 1972 Sunday strips are too large for my scanner so that's why I'm only showing part of each. These last few illustrate nicely how Friday Foster fits into the romance genre. The single Dell comic book version of Friday Foster was featured a little under a year ago in the premier romance blog, Sequential Crush, and I direct readers there for Jacque Nodell's coverage of that Joe Gill/Jack Sparling rarity.

I can only echo Jacque's lament that there was just the one comic book, and add that there is no reprint collection of these superb newspaper strips either - it's long overdue Dark Horse or Fantagraphics, if you're listening!!! Collecting the comic strips is an expensive business. I haven't come across any of the daily strips for sale on eBay, but the Sundays go for around $3 to $5 each, or more!

There's more information about the strip here and there on the Internet. For example:

Dave Karlan's Original Art Blog

Some nice example of the original art are featured on the comicartfans galleries and marketplace:

comicartfans

Anyway, I hope you all enjoyed savoring the wonderful artwork of Jorge Longarón. 'Til next time...

Thursday, October 9, 2014

British Romance Comics: Love Story Picture Library 1333 - "Drop-out"

Having said recently that I saw a significant difference between British and American romance comics, I have to eat my words now. This short story is from 1976's Love Story Picture Library #1333. I've no idea who the artist is, although there are some things about it that remind me of a crude version of something Demetrio might have drawn. The story runs pretty much true to the sort of simple and well-tried plot you'd find in contemporary Charlton romance books from this side of the pond. It's one of those 'he turns out to be not quite what he initially seems to be' stories about a respectable and fairly level-headed girl who falls for a beach bum. See what you think.








Seven pages doesn't provide much room to develop the plot, so it succeeded in covering quite some ground in an economical sort of way. I'm not sure where this beach is supposed to be - somewhere in the UK probably, since it's a British comic. Even with Britain's varied coastline, there are few places where you have sand, rocky cliffs, sand dunes, and the right kind of waves for surfing, but it would probably have to be the South-West (e.g. Cornwall), or even South wales maybe. I wish there was a version of Overstreet for these comics, something that identified artists. It would be a daunting task to compile such a tome, and may even be near impossible for European comics at this point in time.

Saturday, October 4, 2014

British Romance Comics: Love Story Picture Library 752 - "Sheriffs Mustn't Cry"

Unlike the example in the previous Out Of This World post, Love Story Picture Library #752 features just one story, the one advertised on the cover - "Sheriffs Mustn't Cry." The quality of the interior artwork in this story is simply outstanding, and although I am at this point unable to identify the artist, I would guess that it is drawn by one of the Spanish artists. The story itself is not that bad either. It is an interesting genre crossover - romance and western, recalling the romantic western sub-genre of the American romance comics of the late 1940s and early 1950s. This one is a little different, though. It is set in the 1960s, and starts with a British girl selling cosmetics in the American wild west, which somehow seems to have survived relatively intact in this real backwater town that she's visiting, the ominously named Rockbottom! Aside from the odd car and other Twentieth Century electrical devices, the town looks straight out of the 1880s. The girl's name is Bernice Granger, and she's about to experience the adventure of her life! The whole story is 55 pages long, so I've tried to pick the best pages, and filled in the gaps with synopses of what's taking place. Truthfully, every page is worth savoring!


As soon as Bernice enters Rockbottom, she's commandeered by the local sheriff, who needs her assistance in going after a thief. There's just been a robbery, and it's a car and a chauffeur he needs, and Bernice figures she might as well help out. they catch up with the crook, but things don't work out too well for the sheriff, and he gets wounded and the crook gets away. Bernice runs to help the sheriff...



The town's new sheriff is a big hit with the locals. They've never had a lady sheriff before, and a pretty one to boot! The local newspaper editor sees an opportunity to boost his circulation, and figures he'll start by helping Bernice look the part...



While the Federal Marshall figures out a plan of action to deal with this unorthodox development, the newspaper man has gone to press with some fabricated background stories of the supposed crime-busting exploits of the new sheriff:



Meanwhile the Marshall has appointed a new sheriff himself, Jed, and sent him to Rockbottom to clear up the mess, at this point unbeknownst to Bernice, who hasn't forgotten that she initially came there to sell cosmetics:



Bernice finds herself falling head over heels for Jed. There's not much going on in Rockbottom for a young couple looking for places to hang out together, so they go off for a ride into the desert, which turns out to be a suitably romantic option:



But when Bernice finds out Jed came to replace her as the sheriff, and Jed realizes that Bernice is the illegally-appointed sheriff he's been sent to oust, a spanner is thrown into the cog-wheels of their romance. Bernice insists that she'll walk the 10 miles back to town, but Jed's macho, chauvinistic, traditionally sexist world view convinces him that forcibly grabbing Bernice and bringing her back to town is an appropriate course of action. Bernice lets him know otherwise when they get back to Rockbottom:



Press man Brad Nolan has a new idea that he thinks will help Bernice, and sell more papers. He's arranged for an election in the town for sheriff. The next day...





Then there's another unexpected turn. The festivities surrounding the election provide the perfect cover for a bank robbery. And guess who the townsfolk are expecting to apprehend the thief? Bernice accepts her responsibility, and drives off in pursuit of the robber in her classic Cadillac. She realizes that it is probably the same thief she was originally deputized to help bring to justice. It doesn't take long for her to figure that she's out of her league, but of course Jed wouldn't let her face such danger alone:





The robber steals Bernice's Cadillac and heads back to town, to the railroad yard. Jed has his man in his sights, however. With the bad guy behind bars, we can have ourselves a wedding! All ends well for our happy couple, and the newspaper has another front page story! Hopefully Bernice won't have too much trouble getting a green card and eventually American citizenship!



Amazingly, that was all based on a true story! Well, it could happen, couldn't it!? So, any ideas on who the artist of this little masterpiece was?

Friday, October 3, 2014

British Romance Comics: Love Story Picture Library 1336 - "Tell Me Why"

While visiting England earlier this year I was lucky enough to purchase a few of the digest-size British romance comics. The ten I found were from the 1960s and early 70s, and most of them belonged to the Love Story Picture Library series published by Fleetway. What was great about these finds was that some of them contained some very nice artwork that looked like it was by Spanish artists. Here's one. Love Story Picture Library # 1336 has, unlike many of these comics, one long story and a shorter story at the end (usually there's just one longer story filling the book). The total page count is 68 pages, starting at the outside front cover, so stories typically start on page 3. "Tell Me Why" is a 9-page short story at the end of the book, and as you can see it is not the cover story for this issue. This issue is from 1976, but it says inside that it was originally published in 1970, and I'd guess it probably had a different cover then. Eight new issues were published by Fleetway on the first Monday of every month, according to an ad inside. When I was a kid and buying comics in the 1960s, my main go-to was Aladins Book Shop up the top of Hornsey Road in Islington in London. It was run by Shirley and her husband Alan, and I remember that they had a huge selection of these romance books along with all the other second-hand comics, pulps, and paperbacks. Of course, at the time I was buying The Flash and Mystery in Space, but those rows and rows of British romance comics are far harder to find nowadays than their more well-known American counterparts, and contain some surprising gems. Anyway, here's the 9-page story in its entirety. Any guesses on the artist? It's fairly roughly hewn, but it looks kind of familiar!









Look out for another example in my next post - it's a beauty!

Monday, May 19, 2014

Diversity in Comics: The Little Rascals


The Little Rascals have a history that stretched from the earliest Hal Roach Our Gang short movies made in 1922, through the last of those shot in 1944, and through the 1950s and beyond with the series adapted for television and re-titled The Little Rascals. Dell Comics adapted the original movies with their 1940s Our Gang series of comic books, which included highly sought after renderings of popular cartoons at the time - Tom and Jerry, Benny the Burro, etc. - by such celebrated artists as Carl Barks and Walt Kelly. In the mid-1950s Dell produced the comic book version of The Little Rascals, that ran into the early 1960s. The importance of these Dell comics, and the movies they represent, is the fact that the Rascals are an integrated group of neighborhood kids, presented in popular media during the segregated phase of American society. And The Rascals are not without controversy. Some accused them of containing stereotyping of minorities, and television versions were later edited and scenes cut to remove offending material. It is difficult to say whether or not there was actual racist intent, due to the unfortunate norms of the time when the films were made. The fact that the cast included African American children on an equal footing with their white peers was a positive move. Did any racist elements carry over into the comics - again, difficult to say. Take a look at these two stories from The Little Rascals #1137 (Apr-May 1960) and see if you think Farina and Buckwheat are respectfully portrayed or not.



















The Little Rascals series is post-Code, so there is far less likelihood that any demeaning stereotyping of minorities would be present. The original Our Gang series has been reprinted in a very nice four-volume set by Fantagraphics Books - as I was not so interested in the funny animal content of the original comics I saved myself a bundle by buying the reprint books, which only contain the Our Gang stories.