Showing posts with label Ric Estrada. Show all posts
Showing posts with label Ric Estrada. Show all posts
Thursday, March 1, 2012
Social History in Comics: Blitzkrieg 2 - "Walls of Blood"
Robert Kanigher, a long-time writer for DC, can be observed over his career to have been a name more often associated with anti-racist messages in comics than other writers of the time, and he often teamed with artist Joe Kubert on DC's war books. Blitzkrieg was a rather controversial book with the publisher (Joe Kubert, personal communication) that took a look at World War II from a Nazi perspective. This issue (#3, Mar-April 1976) is particularly hard-hitting in the way it depicts the callous slaughter of Polish Jews by inhuman Nazis. With a cover by Joe Kubert and interior art by Ric Estrada, the artwork is meritorious. The comic is one of a number of anti-racist war comics published by DC through the 1960s and well into the 1970s. Overall, when this particular body of work by Kanigher is examined, it is possible to see a theme of equating racism against African Americans with the anti-Semitism and other prejudices of the Nazis, the bottom line being that okay we despise, and rightfully so, the racist atrocities committed by the Nazis, and this is an incompatible position to take if we don't simultaneously condemn racism against African Americans and racism generally. It's also the approach adopted by Stan Lee and Jack Kirby at Marvel (see especially Sgt. Fury and His Howling Commandos #6). I found this issue of Blitzkrieg a bit uncomfortable to read because of the reality behind the story - it's painful to even begin contemplating the human suffering that really did take place at that time.
Heavy stuff, and it barely begins to convey the full horror of what went down, even though as a piece of popular media, it does a lot to make the reader think about the Holocaust, more than most material from the mid-1970s.
Sunday, February 13, 2011
Social History in Comics: Two-Fisted Tales 30 - "Bunker!"
The first occasion that I am aware of on which comics addressed the issue of inter-racial strife within the US armed forces was in Two-Fisted Tales 30 (Nov-Dec 1952), in the story "Bunker!", written by Harvey Kurtzman and drawn by Ric Estrada, with colors by Marie Severin. The famous cover of this issue is by Jack Davis.
The plot of "Bunker!" is straightforward. There's some Chinese soldiers holed up in a very strategically placed bunker, pinning down two platoons of U.S. troops, one segregated African American and the other segregated white. The two groups of American men are on different sides of the bunker, each trying to take the hill on which it is located.
The death of one of the African American soldiers spurs his comrades at arms to a heightened state of military aggression and they succeed in taking out the bunker with grenades, to avenge the fallen man. Consequently the hill is taken by the Americans, only it is the all-white platoon that reaches the top first and claims credit for the victory. This sparks a racist quarrel that looks like it could get out of hand.
The senior officer steps in and sorts out the argument before any damage is done. In classic EC style, the last panel is used to reveal the wording on the sign that has had the effect of bringing the African and white Americans together.
Published towards the end of the Korean War, this story involves segregated units, which still existed at the time in the U.S. Army, although full integration was not far away. The inter-racial conflict shown here is more of the nature of a rivalry, although there was definitely a hint that it could get nasty.
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